Tag Archives: Richard Ford

Memoir as the quest to understand

“To write a memoir”, [Richard] Ford claims, “and to consider the importance of another human being is to try to credit what might otherwise go unremarked”. In pondering this, however, Ford is brought up against his own “incomplete understanding”. While Between Them was undertaken in order to “remedy my longing by imagining them near”, it is just as much a record of lapses and blanks. Ford adopts a speculative mode, with provisional portraits evoked by missing details:

“And how was it for him? Driving, driving alone? Sitting in those hotel rooms, in lobbies, reading a strange newspaper in the poor lamplight … smoking?”

Oftentimes, Ford develops the scene in the negative:

“I don’t remember the time of year of his heart attack … I don’t remember it being cold or hot.”

As a consequence, what is most moving is less the story told than the nature of the inquiry: the long view taken by a son trying to imagine what his parents felt about their own lives, what these lives were like before him, and what they have become in memory.


Stephanie Bishop reviewing ‘Between Them’ by Richard Ford, a memoir of his parents. The Monthly June 2017 (from here) 

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A universal truth to be reckoned with

[There is] a truth that sits beneath the surface of the twin, universal facts of our beginnings and endings: the unequivocal triad of mother-father-self. Whether that triad is sturdy or broken, bonded by biology, affection or both, it’s one that most of us must reckon with, in some shifting fashion, all of our lives.

Cheryl Strayed on Richard Ford’s Masterly Memoir of His Parents May 1, 2017 The New York Times (from here) 

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The voice of a story

I think voice is the music of the story’s intelligence, that the voice of a novel, the voice of a story, is not the speaking voice of Frank Bascombe but it is something a good bit more complex. It is how a novel sounds when it is doing its most important business on you, when it is, as novels do, as poems do. Novels lean on us. They are artifice. They are rhetorical. They are trying to affect us and change us. And that’s what I hear, what I understand, when I use the word “voice.” Richard Ford

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