In his old age, James McNeill Whistler used to walk down to the Atlantic shore carrying a few thin planks and his paints. On the planks he painted, day after day, in broad, blurred washes representing sky, water, and shore, three blurry light-filled stripes. These are late Whistlers; I like them very much. In the high Arctic I thought of them, for I seemed to be standing in one of them. If I loosed my eyes from my shoes, the gravel at my feet, or the chaos of ice at the shore, I saw what newborn babies must see: nothing but senseless variations of light on the retinas. The world was a color-field painting wrapped around me at an unknown distance; I hesitated to take a step.
Annie Dillard, The Abundance