[The philosopher Jean-Paul Sartre] interpreted Genet above all as a writer, who took control of the contingencies of his life by writing about them. But where did Genet get this ability to transform the events of his life into art, asked Sartre? Was there a definite moment when Genet, a despised and abused child abandoned by his unmarried mother and taken in by an orphanage, began to turn into a poet?
Sartre found the moment he was looking for in an incident that occurred when Genet was ten years old and living with a foster family. Such a child was expected to be humble and grateful, but Genet refused to comply, and showed his rebellion by stealing small objects from the family and their neighbours. One day, he was sticking his hands in a drawer when a family member walked in on him and shouted, ‘You’re a thief!’ As Sartre interpreted it, the young Genet was frozen in the gaze of the Other: he became an object slapped with a despicable label. Instead of feeling abashed, Genet took that label and changed its meaning by asserting it as his own. You call me a thief? Very well, I’ll be a thief.
. . . . he owned his outsider identity as thief, vagrant, homosexual and prostitute. He took control of his oppression by inverting it, and his books take their energy from that inversion . .
Sarah Bakewell, At the Existentialist Café: Freedom, Being and Apricot Cocktails, p 219